Showing posts with label moby. Show all posts
Showing posts with label moby. Show all posts

Thursday, June 18, 2009

NPR Exclusive: Moby's Wait for Me

Back in April, I gave a blurb about a new song by Moby called Shot in the Back of the Head, the first single from his forthcoming album Wait for Me. The album itself is not due out until June 30, but NPR has graciously made the entire album available, track by track, as part of its First Listen series.

NPR's Bob Boilen describes it like this: "Moby has just made his best record in 10 years — at least I think so. The new record by the DJ, singer, bassist, keyboardist, guitarist and all-around renaissance man, Wait for Me, is filled with beauty, sadness and celebration."

Truth be told, I can't help but agree - Wait for Me is an emotionally raw yet filling album, which draws you in with the pure serenity of opening track Division and cycles forward into the aurally complete and sometimes the raw and even avant-garde. The track Stock Radio is 45 seconds of recording an old radio put through some effect pedals. All in all, it's an album that needs to be listened to all the way through, and it is a truly moving experience from start to finish. If you're willing to go with something a little new, a little more electronic/synthy and outside the realm of popular guitar/bass/drums, you need to hear this.

The album can be found at this link. You can start listening to the first track and just click "Add to Playlist" on each track until you have a full album going, track by track.

Wait for Me will be released on June 30 (my birthday).

Saturday, April 25, 2009

Shot in the Back of the Head - Moby

Today we find ourselves with a lyricless song by electronica artist Moby (you might know him by the famous song Porcelain, or Extreme Ways, the theme to the Bourne movie series) called Shot in the Back of the Head, a preview of his new album Wait for Me (out June 30). I've gotten really into over the past few days. It's got an almost ambient feel to it, but it's much deeper, and frankly a good bit more melancholy and moving. It takes pulsing distortion combined with a few synthesizers and builds over three minutes, eventually reaching a climax, and quickly fading. It's really nice.

Also the music video is sort of weird. A bit trippy.